Happy birthday! Compendio for everyone! (At least the bits I’ve already done)

It’s my 45th, and it’s a little past my Patreon’s first. So let’s celebrate! Linked in this post you’ll find the Prologue and the First Dialogue of Pacheco’s Compendio. Because of the generous support of my Patrons (who receive these releases three months early), I’ve had the time and space to read up on Aristotelian and Renaissance science to update some of the footnotes and text in these two files.  Here’s that Prologue! Here’s that First Dialogue! Now, on to some details.  What is Compendio? The Compendio de la filosofia y destreza de las armas, de Jerónimo de Carranza, is Don Luis Pacheco‘s heavy (heavy!) edit of Carranza‘s Philosophy of Arms, considered to be the source of an Iberian fencing style called la verdadera destreza (LVD).  Pacheco deliberately notes in his prologue that he’s gone through Carranza’s text and omitted anything not directly related to fencing. For someone whose sentences … Read on!

Dialectic and Drama in Compendio

Even though I’m only a quarter of the way through Dialogue 2, In Pacheco’s Compendio, his very heavy redaction of Carranza’s Philosophy of Arms, the contrast between it and Dialogue 1 is stark. I kind of feel a kinship with Carranza, because as formal as he is in the First Dialogue, he lets his inner playwright run rampant in the second. (As much as I do research and fact-based work, my true love lies with fiction and dialogue.) This is just an early analysis, a sort of feeling things out about the book itself, but I think there’s much to be learned from the differences in these two sections. The first hews pretty closely to dialectic teaching structures. The second, however, is much more dramatic, much more like what you might see on stage. Why would Carranza do that? Was it caprice? What might it achieve? Let’s look at dialectics … Read on!