I’m telling nothing new here. I’d say most people have this, at least the conscientious ones. Regardless of what you do, whether it’s traditionally seen as creative or not, if you’re like me, there’s a time when you look at yourself, you compare yourself to other people in your vaguely similar situation and you think: “I am a fraud. I’m here out of luck, I’m here because I said the right thing at the right time. They’re going to figure me out sooner or later, and I’ll be drummed out and ridiculed and shunned.” If you haven’t, well, more power to you. I find it crippling. Listen, I had a hard time contacting a person in the transmedia industry to ask him to be my industry mentor, and I’d already asked him if he’d be willing to entertain the idea in a class where he guest-lectured. It’s one of the reasons … Read on!
While my research centers on writing a transmedia story, the processes of it and how and why it works, there is also a social component to it. I deliberately chose to have my story be about the journey of a refugee girl escaping from war at home and trying to find a safe place to live. There are two main reasons for this: the first has to do with my experience as a Mexican-American growing up on the border of Texas and Mexico, and the second has to do with the appalling use of “boat people” as a political football by the government and the opposition here in Australia. Earlier this month, the Washington Post published an article about Jason Richwine, who co-authored a study commissioned by The Heritage Foundation indicating that immigration reform could cost the US trillions of dollars. The article in question, however, was written to put … Read on!
Finding a voice sucks. Blog writing is hard. I imagine this is the case for a lot of people, but I end up trashing most of my posts in a fit of “who really cares what I have to say?” If this blog is a kind of signposting of my experience, then I’ve forgotten to take pictures of the whole first half of the trip. To be fair, it’s mostly the same — a lot of worldbuilding on the wiki, and then refining and tuning the storyline. I have some broad strokes written out already, and depending on what platforms end up getting chosen for the second half — production — I think we’ll only be able to do maybe an episode a month, including all materials. And by episode I’m not yet sure if I mean primarily an animatic, or primarily a radio-play style podcast. There’s a conference in … Read on!
Man, a blank wiki is daunting. It’s worse than a single blank page, it’s a million blank pages. They’re not serial, or linear. They’re just one big connected open space of emptiness. There’s a reason I’m keeping the locks down on it for now. For starters, it’s hideously empty. The only way to change that will be through work. Which is fine. The other reason is that I want to have the space to just blather and throw stuff around. Some things will stick, and some things, in retrospect, will look like I must have been waking from a very strange dream involving eulogized lemons for me to have those ideas. I do like the interconnectedness and immediacy of a wiki, though. Have a new idea? Make a link, fill that out when you’re done with this page. Everything all scattered around? Add category tags. Sorted. Changes get tracked, comparisons … Read on!
Now that I’ve had a bit more time to sort things out here, I want to explain a few things. This is, primarily, a professional site. It contains professional thoughts on professional things. But it is also my personal site, too. It will contain personal things that I am happy to have associated with my professional life. This means that there may be politics involved, sometimes. I promise to be respectful and rational in the commentary that I post. This site is also a research site. Behind the scenes I’m working on practice-based research into the nature of transmedia. How does it work? Why does it work? What does it mean to write for multiple platforms to get a single story across? What are these platforms? Which may lead you to the question of just who the heck am I? (Me as in me the writer, not you asking yourselves … Read on!