He says it much better than I can get my thoughts to string together. Also, do take time to check out the link he includes in his post. That’s also well worth the read:
…You’re also allowed — encouraged, even! — to not like stuff. While I don’t know that “hating” something is valuable, at least in the sense that, say, That New TV Show is worth the hot irons of your internal furnace, but hey, you feel what you feel. Once again, unless you’re a paid critic, you’re allowed to dislike something without any rational or cogent reason presented. You can just be like, “Man, that show Homeland just, it just, gnaaaarghle vvvzzzzz ahhhhhh. You know?” And then you flounce about and angrily eat a churro. CRUNCH CRUNCH FROWN.
Here’s the thing.
When it comes to pop culture –
Someone is going to dislike the things you dig.
Someone is going to adore the things you don’t.
And that has to be okay….
From The way we talk about pop culture.
While my research centers on writing a transmedia story, the processes of it and how and why it works, there is also a social component to it. I deliberately chose to have my story be about the journey of a refugee girl escaping from war at home and trying to find a safe place to live. There are two main reasons for this: the first has to do with my experience as a Mexican-American growing up on the border of Texas and Mexico, and the second has to do with the appalling use of “boat people” as a political football by the government and the opposition here in Australia. Earlier this month, the Washington Post published an article about Jason Richwine, who co-authored a study commissioned by The Heritage Foundation indicating that immigration reform could cost the US trillions of dollars. The article in question, however, was written to put … Read on! →