Okay, as promised: Here is a very, very rough initial translation of the dagger section. Unlike previous translations, I’m not including the bulk of the work in the body of this post; I have <checks document> 41 footnotes over eight pages. And one of those footnotes spans more than one page. One thing to note here is that this is not Rada’s or Texedo’s or Viedma’s dagger. Read the whole thing through (he makes a lot of noise in the early bits saying his way is different but obviously superior if you just try it, etc. etc.), then read it again. If you need help visualising some of these things, the scholar class notes from the Brisbane School of Iberian Swordsmanship may help. CLICK HERE for translation of sword and dagger section in Oplosophia. That said, one of the neat things Figueiredo does is include a section in the book with … Read on!
Before I begin, I just need to say I hate the new WordPress text editor and need to figure out how to revert. This is infuriating. Anyway. Back when I was in New York, practicing iaido, every new year of practice we’d rededicate ourselves to our studies by performing a thousand cuts. I can’t entirely remember if we only did one kind of cut, but these days, I have to vary it up. That said, the cuts aren’t the meat of the matter of this post. A significant part of my Destreza practice is reading and translation. There’s painfully little original LVD material available in English, and I’m one of the handful of people well placed to solve it. So here’s a variation on the thousand cuts, and symbolic rededication to my practice. I’ve been working on the off-hand section of Figueiredo’s Oplosophia for a few years now, very intermittently. … Read on!
If you just want to get into the evaluation of the translation, scroll on down to the EVALUATION section below. If you want the summary conclusion of my review, you can scroll on down to CONCLUSION. You can always scroll back up here to read the rest later. INTRODUCTION This post is a partial review of Manuel Lozano’s translation of Compendio de los fundamentos de la verdadera destreza y filosofía de las armas – or Compendium of the Fundamentals of the True Skill and Philosophy of Arms by Francisco Antonio de Ettenhard y Abarca. It is a partial review because I did not read the translation in its entirety. The reasons for this will be detailed in the EVALUATION section of this post. Any non-Spanish-speaking practitioner of la verdadera destreza is keenly aware of the lack of translated materials, and has very good reason to get excited when translations are announced. … Read on!
Yeah, it’s been like, forever. But I’m still alive, and around, and still writing and editing and swording and translating. I hope all of you are well and feeling reasonably successful in your endeavors. I’m still plugging away, feeling like it’s three steps forward and two steps back, but at least I’m making some small headway. While I’m here — I have yet to receive my copy due to logistical kerfuffles, but I’m eagerly awaiting Tim Rivera’s translation of Godinho’s Art of Fencing! Not only has he translated the text, but he’s also included a lot of additional material, extracting and collecting key points in easily findable ways. In other news, I presented a taster course workshop on Godinho at Swordplay 2017 which was well-received, and learned a ton from other presenters (including Skye Hilton and Steaphen Fick), and had a lot of (never enough) bouts with fantastic friends old … Read on!
Hello, everyone! It’s translation time again! Today’s offer is a longer one, a translation of the section in Oplosophia* that discusses the use of the sword and cape. For those unfamiliar with historical uses of garments as off-hand implements in armed defense, this is totally a thing. Honest.